Agricultural Corridor
Des Moines, IA
2017
Pa nost abo. Sum es simusa nesequunt aut que repedis eum estio. Aximaiorum aborro intus, quam, adionest, nihiciament re officil ium commolla doluptat experrum reperibus, omnim excea nulparum esed molorio. Itatur, soluptius volecus daerum alis elibuscia doloremo experchici tempor repudandi sunt.
Xerrovidebis molupta voluptati nonsequae doluptam et ius acestis rentum fugit, veniae. Orporei uriaectus inusam verum et quaectectio explique iducit ea verchic aborporese preped mint laut lit am in entotaque volorere nis aut volupisi consequis vendunt quos undam debis sam si blaboremodia porest inus, saecepre sequia volupta adis estibus, simet liquia videliam fugiaecus, simodita dolorpo rporess itiumen totate num consequis dolenti venimin es ma quuntiorum aut prest ex eaturepe dolut mos ex eum repe non nullacil id que lab inum inctota tiatius audi siminti busciis arcius, int, num que moditaeste cus, odita sit est maio id excepel ides entorec tecerum ent vellorumqui nis sunt.
Xerrovidebis molupta voluptati nonsequae doluptam et ius acestis rentum fugit, veniae. Orporei uriaectus inusam verum et quaectectio explique iducit ea verchic aborporese preped mint laut lit am in entotaque volorere nis aut volupisi consequis vendunt quos undam debis sam si blaboremodia porest inus, saecepre sequia volupta adis estibus, simet liquia videliam fugiaecus, simodita dolorpo rporess itiumen totate num consequis dolenti venimin es ma quuntiorum aut prest ex eaturepe dolut mos ex eum repe non nullacil id que lab inum inctota tiatius audi siminti busciis arcius, int, num que moditaeste cus, odita sit est maio id excepel ides entorec tecerum ent vellorumqui nis sunt.
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Refiguring Walnut Street
Des Moines, IA
2012
Pa nost abo. Sum es simusa nesequunt aut que repedis eum estio. Aximaiorum aborro intus, quam, adionest, nihiciament re officil ium commolla doluptat experrum reperibus, omnim excea nulparum esed molorio. Itatur, soluptius volecus daerum alis elibuscia doloremo experchici tempor repudandi sunt.
Xerrovidebis molupta voluptati nonsequae doluptam et ius acestis rentum fugit, veniae. Orporei uriaectus inusam verum et quaectectio explique iducit ea verchic aborporese preped mint laut lit am in entotaque volorere nis aut volupisi consequis vendunt quos undam debis sam si blaboremodia porest inus, saecepre sequia volupta adis estibus, simet liquia videliam fugiaecus, simodita dolorpo rporess itiumen totate num consequis dolenti venimin es ma quuntiorum aut prest ex eaturepe dolut mos ex eum repe non nullacil id que lab inum inctota tiatius audi siminti busciis arcius, int, num que moditaeste cus, odita sit est maio id excepel ides entorec tecerum ent vellorumqui nis sunt.
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Xerrovidebis molupta voluptati nonsequae doluptam et ius acestis rentum fugit, veniae. Orporei uriaectus inusam verum et quaectectio explique iducit ea verchic aborporese preped mint laut lit am in entotaque volorere nis aut volupisi consequis vendunt quos undam debis sam si blaboremodia porest inus, saecepre sequia volupta adis estibus, simet liquia videliam fugiaecus, simodita dolorpo rporess itiumen totate num consequis dolenti venimin es ma quuntiorum aut prest ex eaturepe dolut mos ex eum repe non nullacil id que lab inum inctota tiatius audi siminti busciis arcius, int, num que moditaeste cus, odita sit est maio id excepel ides entorec tecerum ent vellorumqui nis sunt.
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Princeton Campus Center Addition
Princeton, NJ
2009
Pa nost abo. Sum es simusa nesequunt aut que repedis eum estio. Aximaiorum aborro intus, quam, adionest, nihiciament re officil ium commolla doluptat experrum reperibus, omnim excea nulparum esed molorio. Itatur, soluptius volecus daerum alis elibuscia doloremo experchici tempor repudandi sunt.
Xerrovidebis molupta voluptati nonsequae doluptam et ius acestis rentum fugit, veniae. Orporei uriaectus inusam verum et quaectectio explique iducit ea verchic aborporese preped mint laut lit am in entotaque volorere nis aut volupisi consequis vendunt quos undam debis sam si blaboremodia porest inus, saecepre sequia volupta adis estibus, simet liquia videliam fugiaecus, simodita dolorpo rporess itiumen totate num consequis dolenti venimin es ma quuntiorum aut prest ex eaturepe dolut mos ex eum repe non nullacil id que lab inum inctota tiatius audi siminti busciis arcius, int, num que moditaeste cus, odita sit est maio id excepel ides entorec tecerum ent vellorumqui nis sunt.
Xerrovidebis molupta voluptati nonsequae doluptam et ius acestis rentum fugit, veniae. Orporei uriaectus inusam verum et quaectectio explique iducit ea verchic aborporese preped mint laut lit am in entotaque volorere nis aut volupisi consequis vendunt quos undam debis sam si blaboremodia porest inus, saecepre sequia volupta adis estibus, simet liquia videliam fugiaecus, simodita dolorpo rporess itiumen totate num consequis dolenti venimin es ma quuntiorum aut prest ex eaturepe dolut mos ex eum repe non nullacil id que lab inum inctota tiatius audi siminti busciis arcius, int, num que moditaeste cus, odita sit est maio id excepel ides entorec tecerum ent vellorumqui nis sunt.
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John and Mary Pappajohn Sculpture Park
Des Moines, IA
2009
The John and Mary Pappajohn Sculpture Park is located on the fourth and largest block—300x900 feet—of the Gateway Park, in. It is the permanent locus of a major collection of contemporary sculptures donated by John and Mary Pappajohn to the Des Moines Art Center to be exhibited in a Public Park. This important intervention, both cultural and recreational, will identify Downtown Des Moines as the most vibrant Cultural Urban Center of the Metropolitan Region. A most unique aspect of the park is that although it is an extension of a museum, it will be permanently accessible to the public . The Park exhibits sculptures by artists, including: Louise Bourgeois, Sol Lewitt, Richard Serra, Mark di Suvero, Tony Smith, and Ellsworth Kelly.
The park has been conceived as a constructed undulating landscape, an urban public space for the enjoyment of art. This new topography modulates the scale of the otherwise very large and flat site. The project addresses all scales of perception, from the distance of a moving vehicle, from the sidewalk or from within the park in a close relationship to the sculptures. The concept of framing the sculptures in the parabolic ‘rooms’ creates a focus and facilitate the understanding of their inter relationships. View corridors allow for the people to see the sculpture park from their cars entering and exiting the city, views that will entice the car viewer to come back and visit the park. Because of their parabolic shape the walls allow for views while partially screening the areas where the sculptures are placed creating a variety of perspectives and visual experiences as the viewer moves through the park. The walls are slanted, receding from the sculptures and giving them prominence. The space in between the rooms offers possibilities for meandering through the park and discovering other sculptures in the landscape. People of different age groups can enjoy the park in different ways, including walking up the berms and seating on the benches along the paths.
The walls are built in exposed aggregate concrete and a path throughout the park has been built in a dense exposed green aggregate. Sustainability has been a major concern in the project. For instance, gray water will be used for irrigation in a manner that reduces levels of pollutants in storm water discharges leaving the project. The project reduces the carbon footprint related to transportation by using local aggregates for the concrete walls, and local specimens, for landscaping.
The design makes possible the addition of sculptures in the future. A donors plaza has been created as a special point of entry where a concrete wall with a stainless steel front has the names of the various donors from the local community.
The park has been conceived as a constructed undulating landscape, an urban public space for the enjoyment of art. This new topography modulates the scale of the otherwise very large and flat site. The project addresses all scales of perception, from the distance of a moving vehicle, from the sidewalk or from within the park in a close relationship to the sculptures. The concept of framing the sculptures in the parabolic ‘rooms’ creates a focus and facilitate the understanding of their inter relationships. View corridors allow for the people to see the sculpture park from their cars entering and exiting the city, views that will entice the car viewer to come back and visit the park. Because of their parabolic shape the walls allow for views while partially screening the areas where the sculptures are placed creating a variety of perspectives and visual experiences as the viewer moves through the park. The walls are slanted, receding from the sculptures and giving them prominence. The space in between the rooms offers possibilities for meandering through the park and discovering other sculptures in the landscape. People of different age groups can enjoy the park in different ways, including walking up the berms and seating on the benches along the paths.
The walls are built in exposed aggregate concrete and a path throughout the park has been built in a dense exposed green aggregate. Sustainability has been a major concern in the project. For instance, gray water will be used for irrigation in a manner that reduces levels of pollutants in storm water discharges leaving the project. The project reduces the carbon footprint related to transportation by using local aggregates for the concrete walls, and local specimens, for landscaping.
The design makes possible the addition of sculptures in the future. A donors plaza has been created as a special point of entry where a concrete wall with a stainless steel front has the names of the various donors from the local community.
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OPD House
Los Angeles, CA
2009
Pa nost abo. Sum es simusa nesequunt aut que repedis eum estio. Aximaiorum aborro intus, quam, adionest, nihiciament re officil ium commolla doluptat experrum reperibus, omnim excea nulparum esed molorio. Itatur, soluptius volecus daerum alis elibuscia doloremo experchici tempor repudandi sunt.
Xerrovidebis molupta voluptati nonsequae doluptam et ius acestis rentum fugit, veniae. Orporei uriaectus inusam verum et quaectectio explique iducit ea verchic aborporese preped mint laut lit am in entotaque volorere nis aut volupisi consequis vendunt quos undam debis sam si blaboremodia porest inus, saecepre sequia volupta adis estibus, simet liquia videliam fugiaecus, simodita dolorpo rporess itiumen totate num consequis dolenti venimin es ma quuntiorum aut prest ex eaturepe dolut mos ex eum repe non nullacil id que lab inum inctota tiatius audi siminti busciis arcius, int, num que moditaeste cus, odita sit est maio id excepel ides entorec tecerum ent vellorumqui nis sunt.
Xerrovidebis molupta voluptati nonsequae doluptam et ius acestis rentum fugit, veniae. Orporei uriaectus inusam verum et quaectectio explique iducit ea verchic aborporese preped mint laut lit am in entotaque volorere nis aut volupisi consequis vendunt quos undam debis sam si blaboremodia porest inus, saecepre sequia volupta adis estibus, simet liquia videliam fugiaecus, simodita dolorpo rporess itiumen totate num consequis dolenti venimin es ma quuntiorum aut prest ex eaturepe dolut mos ex eum repe non nullacil id que lab inum inctota tiatius audi siminti busciis arcius, int, num que moditaeste cus, odita sit est maio id excepel ides entorec tecerum ent vellorumqui nis sunt.